Tip: click a paragraph to jump to the exact moment in the video.
- 00:02 today I want to talk to you about two archetypes first proposed by Carl
- 00:08 Gustavong anima and animus femininity and masculinity but it is a lot more complex than this a lot deeper and more profound
- 00:22 and it has implications on a variety of fields in the humanities and social sciences i will delve deeper today into into Jung's thinking about these issues and how they relate to narcissism and other
- 00:37 mental health pathologies but before we go there I would like to remind you that I am no
- 00:44 fan of KL Gustav synchronicity collective
- 00:50 unconscious unidentified flying objects UFOs
- 00:56 seriously the guy sounds 90% of the time as a deranged and demented new age
- 01:03 self-styled prophet rather than a serious psychiatrist taking into account that
- 01:10 Gustaf Jung has been Carl Jung has been hospitalized for psychosis early on in his life and
- 01:18 attributed most of his work to this period no no wonder so I'm not a fan and yet I find some of his insights especially the archetypes
- 01:31 to be to be of great interest and I am very sorry i grieve the fact that modern academia higher education institutions
- 01:42 have given up on the likes of Freud and Jung because these were clever insightful people who have had a lot to
- 01:50 say about the human psyche and appropo clever insightful people my
- 01:57 name is Sam Vaknin i'm the author of malignant self- loveve narcissism revisited i'm also a professor of
- 02:03 psychology and no I don't think UFOs exist and synchronicity and the
- 02:09 collective unconscious are rank nonsense but today we're going to
- 02:15 discuss anima and animus an entirely different thing anima and animus are Yungian terms they describe the unconscious female image in
- 02:28 men and the unconscious male image in women now before we go any further before we study this any more deeply
- 02:41 um I would like to make a general comment both Ziggman Freud the Twile
- 02:47 mentor of Carl Gustavong and Carl Youngung himself both of them have been
- 02:53 mired and immersed and embedded in their own cultures and
- 02:59 society freud operated in Vienna at the end of the 19th century and beginning of
- 03:06 the 20th century a period of repressed sexuality and Victorian mores
- 03:14 jung worked mostly in Zurich but Switzerland was not exempt sexuality was
- 03:22 less of a taboo than in Vienna but gender roles were very strict and firm
- 03:28 Germanic in a way and so when Freud discusses
- 03:34 femininity or masculinity and when Jung discusses femininity and masculinity they adhere
- 03:42 very closely to socially assigned performative gender roles women are
- 03:49 women men are men yung for example says that the anima the feminine
- 03:58 element has to do with relatedness errors and anima and women are more
- 04:07 compassionate and more empathic and so on whereas rationality logos is attributed to the
- 04:14 to the animus to the masculine principle and to men in general so according to
- 04:21 Jung women are compassionate and do well on empathy and relatedness whereas men are logical and rational
- 04:33 these are of course stereotypes and the false equation of culturally acquired elements with inborn male and female
- 04:44 characteristics is a major detriment a major problem with Jung's
- 04:51 work let us agree on some terminology let us disambiguate some words start
- 04:57 with archetype jung established a branch of psychology known as analytic psychology and in
- 05:04 analytic psychology archetype is any one of a set of symbols which represent aspects of the psyche that derive from the accumulated
- 05:15 experience of mankind archetypes are inherited symbols
- 05:21 and they are held in what into what Jung called the collective unconscious
- 05:27 the archetypes serve as frames of reference with which individuals view the work and as the foundations on which
- 05:34 the structure of personality is built you would be surprised what
- 05:41 constitutes an archetype i mentioned the anima and animus they're both archetypes but also the persona the persona is the mask that we wear when we interact with other people shadow the shadow is an archetype and even the self the supreme
- 05:58 being the hero they're all archetypes arch archetypo images primordial images okay so now that we've understood what archetypes are they are figments of
- 06:10 the collective collected cumulative wisdom of humanity over the
- 06:16 ages let's um revert to anima the problem with anima is that there are two definitions in Jung's writings in
- 06:27 the earlier period anima was designated by Jung as a person's innermost
- 06:33 being a person's soul if you wish the part that is in closest contact with the
- 06:39 unconscious and so anima in the early writings of Y the early work of Yung has
- 06:46 nothing to do with femininity it is the antithesis it is the opposite of the persona the persona is the externally directed part of the personality whereas
- 06:58 the anima is the internally internalized part the part that is in touch with the
- 07:04 unconscious only much later in his later writings did Yung equate the anima with
- 07:12 an archetype the anibbound became the archetype that represents universal feminine characteristics or the
- 07:18 unconscious feminine aspect of the male psyche animos on the other hand was
- 07:25 always in in the totality of Jung's work has always been an archetype in analytical psychology animos is the archetype that represents universal masculine characteristics of the
- 07:37 unconscious masculine component of the female psyche anima and animus are therefore internalized figures internalized
- 07:48 representations so the anima is the internalized representation of a woman the quintessential woman held by men and the animos is the figure of a man at
- 08:00 work in a woman's psyche now because Jung held such rigid views
- 08:06 of gender roles because he stereotyped women and
- 08:12 men he regarded gender roles as a task as a burden as something that requires an investment consumes energy and
- 08:26 generally depletes you a gender role is performative so it requires per a per
- 08:33 performance and so according to you Jung all of us suffer from what we call
- 08:39 nowadays gender dysphoria we are assigned the gender by society we are trained like so many monkey so much so many monkeys we are
- 08:50 trained to become men and women boys become men girls become women
- 08:56 and then for the rest of our lives we perform we perform manhood we perform
- 09:03 masculinity or we perform femininity but it's a performance and like every performance it requires time and effort
- 09:11 and energy and forethought and analysis and cognitions and emotions it consumes you so it's a burden and because it's a burden there the
- 09:24 psyche the soul requires some kind of compensation anima anonymous are gender specific archetypal structures in the
- 09:36 collective unconscious that are therefore compensatory to burdensome
- 09:43 burdensome difficult to maintain conscious gender identities
- 09:50 your anima if you're a man your anima is a feminine compensation for the fact
- 09:58 that you have to consistently and constantly act as a man and if you're a woman your animos is a
- 10:06 masculine element in you which compensate for compensates for the fact
- 10:12 that you are not not allowed to express your inner masculinity and that you're
- 10:18 supposed to conform to a highly rigid and specific performative gender role
- 10:24 these are compensatory mechanisms does it remind you of something narcissism pathological
- 10:31 narcissism is a compensatory mechanism it compensates mainly for shame and
- 10:38 other negative effects and negative experiences in childhood abuse trauma parentification instrumentalization and so on so these specific archetypes are
- 10:50 compensatory and as we will see a bit later during this long lecture there is
- 10:56 a connection between the compensatory nature of anima and animus and the
- 11:02 compensatory nature of narcissism animous images primarily depict the
- 11:11 unconscious masculine in a woman and anima images depict the unconscious feminine in a man of course there is this assumption that there are parts of us which are suppressed and repressed by social expectations mores conventions
- 11:27 and norms every man has a feminine part but this feminine part is buried is
- 11:35 denied is refrained is repressed because men are not allowed to express their
- 11:43 femininity it is a no no sometimes even a taboo the notion of a buried part femininity in men and masculinity in
- 11:55 women this notion first appeared in print at least in K Gustavyong's Psychological Types it's a book he
- 12:02 published in 1921 one of the most complex and least understood features of Jung's theory is
- 12:09 the idea of contraexual archetypes jung wanted to conceptualize
- 12:16 the important complimentary roles in human psychological function functioning
- 12:22 yungri saw everything in terms of duality or polarity in other words his approach to
- 12:29 human psychology was adversarial conflictdriven even if the conflict was
- 12:35 subdued even if a conflict was only a background potential it was still there
- 12:41 the duality and the polarity implied that some parts had to submit and other
- 12:47 parts of human psyche had to dominate yung conceived of the anima initially as
- 12:55 numminous in other words a spiritual figure in a men's
- 13:01 unconscious strangely he did not say the same about the animus he Jung tended to
- 13:07 idealize femininity and women in general originally Jung associated the anima
- 13:13 with a mother figure and the animus with a father figure but then he transitioned
- 13:20 from there and he began to identify the roots of the animine animos on a broader
- 13:26 spectrum by 1925 Jung considered these concepts the two most comprehensive
- 13:33 comprehensive foundations of the psyche he said that anima and animus are the two pillars upon which the totality of human psychology is based anima
- 13:44 anonymous yung says are inb born as what he called virtual images and these
- 13:51 virtual images acquire form in I'm quoting the encounter with empirical
- 13:58 facts which touch the unconscious aptitude and quicken it to life Jung
- 14:05 1928 however it is here that we are beginning to see the failures and
- 14:12 mistakes in Jung's attitude what he considered to be empirical facts were
- 14:19 actually time relevant culturebound stereotypes perceptions of
- 14:26 femininity and masculinity founded on a highly specific doxastic and axiological
- 14:33 framework a framework of beliefs and values the Victorian period regarded women and men as totally separate assigned to them very rigid gender roles
- 14:45 and so Jung took these to be universal he believed
- 14:51 that everything he knew about femininity and masculinity as gender roles in the
- 14:57 19th century is universal and has applied throughout the existence of mankind which is of course profoundly counterfactual nonsensical
- 15:10 the initial contraexual content according to Jung is introjected from
- 15:16 the infant's relationship with parental figures in other words the
- 15:22 infant triggers the anima if the infant is a boy the boy triggers the anima in
- 15:29 him by relating to the mother whereas if it's a girl she triggers the
- 15:37 animus via her interactions with her father the mother and the father are the triggers that bring to life the energy and the capacity of the animus and the
- 15:50 anima however unconscious they may be unconsciously they're active mother and
- 15:56 the father activate them developmentally then separation from parental figures as
- 16:02 primary objects followed by the idealizing identification of anima and animus with figures in the environment persons of opposite sex is
- 16:13 what we call growing up growing up is when we transition our adima or animus to other
- 16:23 people who are not parental figures not mother not father but they become the receptacles and the repositories of our anima and animus in other words anima
- 16:35 and animus are the bridges that connect us connect us to people of the opposite sex we tend to project our anima and animus which are essentially reflections
- 16:48 of our parental figures we tend to project them on people of the opposite sex when we form intimate romantic uh
- 16:56 relationships and this of course ties very well with the narcissist
- 17:02 uh inexurable urgent need to bond with a
- 17:08 maternal figure in his intimate relationships he converts a narcissist converts his partners into maternal
- 17:16 figures partly by foring on them imposing on them the
- 17:23 anima in the narcissist if he's a male or the animus if it's a a female so what
- 17:30 the narcissist does the narcissist imposes the anima in him on his
- 17:37 potential intimate partner the anima is the face and the attributes and the
- 17:43 contours of his original mother we'll discuss this some other
- 17:49 time let's continue with anima and animals because it's a projection
- 17:56 because when you when you interact with a person of the opposite sex you're projecting onto her your anima or animus
- 18:04 because it's a projection it can be withdrawn a projection can be withdrawn
- 18:10 from the objects upon which it had been projected and the a perception of anima
- 18:18 and animus as in as intracychic objects then becomes conscious in other
- 18:25 words when you bond with a an intimate partner let's assume that you're male
- 18:31 when you bond with an intimate partner you project onto her your animan when the relationship goes s when the relationship goes sour when you break up
- 18:42 with your intimate partner when you divorce when you dump each other when when there's a devalue even when there's
- 18:49 a devalue and discard within the shared fantasy at that point something
- 18:55 interesting happens at that point you withdraw the
- 19:01 animal and as you withdraw the animal it becomes
- 19:07 conscious the deficiency the need the lack of an intimate partner reminds you of your feminine side you are leveraging your feminine
- 19:19 side to find an intimate partner unconsciously but when she's gone your
- 19:26 feminine side is sorely missed and it becomes conscious of course the opposite
- 19:32 applies in the case of a woman the woman applies the animus the masculine side to
- 19:38 her partner when the partner is gone when she breaks up with a partner the animus becomes um visible perceptible
- 19:47 and she misses the masculine presence and the animus becomes conscious
- 19:54 anima anonymous can act as the ego's interface to the collective unconscious
- 20:00 according to to Jung in most clinical instances animus personify the struggle between
- 20:09 culturebound collective images of masculine and feminine and the developmental urge to liberate one's
- 20:15 individuality from these collective norms in other words the figures of anima and animus embedded in each one of
- 20:22 us depending on the on our sex these figures are both the interface to
- 20:29 society because they conform to a large extent to cultural mores societal norms
- 20:37 and expectations gender roles on the one hand and on the other hand the anima and
- 20:43 animus are the great liberators they allow us to experience the opposite sex
- 20:50 sex vicariously and in defiance of collective edicts injunctions and
- 20:58 norms it's again a kind of gender dysphoria carried to the extreme it
- 21:04 leads to transgender experiences the concepts of animus
- 21:10 include the potential in women and men to develop both masculine and feminine elements in themselves the contraexual
- 21:17 archetypes fuel what used to be known as the eripal predicament part of the
- 21:24 edypus complex because the differentiation between the parental imagos and the animous projections leads
- 21:32 out of the edipal fixation i'll discuss it some other time what about narcissism
- 21:38 i mentioned that there is a kind of interface with narcissism nexus with narcissism a narcissistic identification with a contraexual figure may result in
- 21:50 positive or negative inflation in other words you could acquire as the narcissist can acquire grandiosity the narcissist can inflate
- 22:04 himself distort his cognitions and embed himself in a
- 22:10 counterfactual fantasy regarding his own self-concept by leveraging his anima or
- 22:19 her animus the counter contraexual figures are
- 22:26 helpful with grandiosity because they are projected onto a
- 22:34 partner in the process of idealization which is always a part of co-
- 22:40 idealization in other words a male narcissist would project the anima onto
- 22:46 an intimate partner who is a female idealize her and by idealizing her idealize himself if she's perfect that makes him perfect
- 22:58 alternatively if the narcissistic identification with a contraexual figure is egoistonic in other words it raises gender dysphoria for example in bisexual narcissists or homosexual narcissists this could lead to what is known as
- 23:14 flooding of the ego a deterioration the intrusion of unconscious contents into consciousness
- 23:23 into the ego and the disabling of the ego's ability to interface with reality
- 23:29 in to maintain reality testing so both anima and animus are psychic images each one of them is a
- 23:41 configuration based largely on stereotypes and gender roles culture bound and period relevant images and so on it's all true but this configuration arises from
- 23:53 a basic archetypal structure according to you and this archetypal structure
- 23:59 this archetype these archetypes are not dependent on any specific culture any specific period in history any specific society any spec specific expectations
- 24:10 or norms or conventions or so these archetypes are immutable as a fundamental forms which underly the feminine aspect of men and the masculine aspects of women they are
- 24:23 opposites as psychic components they are subliminal to consciousness they are preconcious or unconscious and they function from within the unconscious part of the psyche they are of benefit
- 24:37 but they can also endanger consciousness there is a process which Jung described and he called it
- 24:45 possession yes I told you I don't like Yung he called it possession
- 24:53 possession is when there is an identification of consciousness with an unconscious content or unconscious
- 25:00 complex or unconscious archetype in other words sometimes there's a situation
- 25:08 where the anima and animous archetypes are so overwhelming for whatever reason
- 25:14 for example unresolved business with a maternal or or paternal figure these
- 25:21 archetypes are active energetically active they're overwhelming they create
- 25:28 in therapy abreaction for example so they're overwhelming they can take over they can take over the consciousness which could lead to conscious gender
- 25:40 dysphoria or to conscious conflict between ma masculine and feminine
- 25:46 aspects and so the anima and animus operate in
- 25:52 relation to the dominant psychic principle of a man or a woman in other words in every man and woman we have an explicit overt visible
- 26:04 text which is a narrative on how to be a man how to be a woman gender roles
- 26:10 scripts and we follow them this is the dominant psychic principle of manhood
- 26:16 and womanhood and at the same time subversively like some kind of
- 26:23 insurgents or terrorists the animus undermine these dominant and explicit
- 26:30 psychic principles they kind of challenge them
- 26:36 in many ways again you can see the adversarial conflictual view of Jung
- 26:43 with regards to some processes in the psyche as the contraexual psychological
- 26:51 counterparts of maleness of maleness and femaleness anima and animus are there to
- 27:00 always destabilize the gender role always question it always propose
- 27:07 alternatives by projecting themselves so we could say that the
- 27:14 animus act as what Jung called the psychopmpi psychop is a guide the guide
- 27:22 of the soul a mediator between the unconscious and the conscious realms so
- 27:28 anima and animus are a bridge between the conscious and the unconscious they're psychopy they're not only a
- 27:34 bridge but they are guiding they're they provide guidance they structure they
- 27:40 introduce order and this is symbolically personified in dreams as a wise man or a
- 27:47 wise woman and so the parental role of the anima and
- 27:54 animos or the parental sorry the parental reflections the imago parental personification the parental
- 28:02 embodiment of mother and father also carries with it the element of guidance
- 28:08 the element of sagacity the element of wisdom and the safe or secure bridge
- 28:17 between conscious ious and unconscious they anonymous unnecessary links with
- 28:23 creative possibilities and instruments of individuation remember that in the process of individuation there's a lot
- 28:30 of exploration a lot of experimentation individuation is about
- 28:36 resolving the initial doubts it's about asking yourself who am I including am I
- 28:42 a man or a woman am I a boy or a girl individuation is what Ericson called a
- 28:48 process of moratorium it's a process of um indecisiveness exploring all the
- 28:55 possibilities and the anima and animus are there to guide you because they are
- 29:02 contraexual the fact that a boy has an anima informs
- 29:08 the boy that he is a male and similarly the animus in the woman in the girl
- 29:16 informs her that she should become a woman because they are contraexual as personified components of the psyche the anima and animus connect
- 29:27 and involve us with life they are what Jung called personification the tendency
- 29:33 of psychic contents or complexes to take on a distinct personality separate from
- 29:40 the ego freud implied therefore that we all harbor a multiplicity of personalities
- 29:48 which today we call self states philip Bramberg's work stretching all the way
- 29:54 to my own work we assume that the personality is is a piece of fiction does not exist what we do have is a series of self
- 30:05 states and Jung is not far from this in his principle of personification a complete realization and integration of either image the anima or the animus it requires a partnership with the opposite
- 30:21 sex it is through a relationship with the opposite sex through this interpersonal exchange that we
- 30:29 reconcile with the anima or animus it is then that we integrate the
- 30:35 anima and animus there's no longer a splitting defense against the anima and animus i'm
- 30:41 a boy don't remind me that I have a feminine aspect it is through a relationship with a girl a man has a
- 30:50 relationship with a woman and he learns to accept his femininity through her
- 30:56 because in many ways he becomes one with her not in all ways that's unhealthy but
- 31:02 in some ways he becomes one with his intimate partner and this oneness this
- 31:09 unitary non-sympiotic nature of the healthy relationship legitimizes the
- 31:15 anima in the men or the animus in the woman among his definition uh
- 31:23 definitions of anima you remember that anima went through a major transformation in Jung's writings but
- 31:29 Jung summarized anima animus as soul images when he was asked to elucidate
- 31:35 this statement he he called each one of them the not
- 31:41 eye so the not eye for a man probably corresponds to something feminine and
- 31:48 the not I in a woman would be something masculine something outside herself something that belongs not to her but to some kind of soul or spirit which is
- 31:59 ostensibly according to Jung the collective spirituality of humankind
- 32:05 transmitted from one generation to the next and actually embedded in the brain the anima or animus as the case may be it's a factor which happens to happens
- 32:16 to to an the individual it's an a priority element of moods reactions
- 32:22 impulses in a man of commitments beliefs and inspirations in a woman in both of
- 32:28 them there's something that prompts you to take cognizance of whatever is spontaneous and meaningful in your
- 32:35 psychic life they anima and animus are therefore found sources of
- 32:42 self-awareness and creativity because they're constantly there nagging at you if you will and they give rise to attributes and traits and behaviors even
- 32:55 which are alien to your gender role um you're a man you're a man's man and
- 33:01 suddenly you're tender and soft and kind and compassionate and and empathic and
- 33:07 that doesn't sit well with the classic gender role of a macho man you cry or
- 33:13 you do something that is your animal similarly you're a woman and suddenly you are tough competitive ambitious um and um disempathic and rational and
- 33:25 logical and so on and that doesn't sit well with the stereotype or the gender role of a woman and that is your
- 33:31 masculine side behind the animus Jung said lies the archetype of many just as
- 33:38 the anima is the archetype of life itself so there's a layer there's a layer which is the anima and anima is identified with what Freud would have called libido the force of
- 33:50 life the alarm vital and superimposed on it is the interpretation of life the exploration of life and making sense and meaning of
- 34:01 life and that is the men's preserve that is a masculine trait of course you can see the prejudices of yung in action
- 34:10 possession by either Anima or animus remember possession is when unconscious content takes over consciousness
- 34:17 possession by either animala or animals it transforms the personality of course because it gives prominence to traits
- 34:23 which are seen psychologically as traits of the opposite sex either way a person
- 34:29 loses individuality and then in either case both charm and values
- 34:37 so if there is a possession if the anima side in a man takes over he becomes
- 34:44 dominated by it and by the aeros principle so he becomes restless promiscuous moody sentimental exactly like the stereotypical woman of the 19th
- 34:55 century with her inevitable hysteria whereas uh and so this is
- 35:02 unconstrained overwhelming disregulating emotionality that's how Jung saw it of
- 35:08 course which is all wrong similarly Jung believed that if a woman subjected to is
- 35:14 subjected to the dominance control or invasion hostile takeover of the animus
- 35:21 and logos um she becomes bossy managerial obstinate ruthless and
- 35:28 doineering either way they become one-sided they become
- 35:35 one-dimensional he he implied that when the animus and animal take over it's a reductionist process it's not a healthy thing um these people who are possessed
- 35:48 by the animals or or animals in a woman animal in a man these people are
- 35:54 inferior because they're gullible they become they become seduced other people other
- 36:02 forms meaningless attachments can take over them second rate thinking
- 36:09 um marching forward under crazy unrelated conviction in short when
- 36:16 you're taken over when you're taken over by these archetypes when you're a man and taken
- 36:22 over by the feminine anima a woman taken over by the masculine anima you are
- 36:28 reduced to a caricature of the opposite sex and your functionality deteriorates
- 36:35 dramatically james Hillman wrote a book titled Anima an anatomy of a personified notion 1972 I think then there was an addition in 1975 if I'm not mistaken and
- 36:47 he says that he wrote that um it is she who personifies the
- 36:54 unconsciousness of our entire western culture and maybe the image by which we will be liberated imaginatively positive or natural animus in contrast to the negative and acquired
- 37:07 animus suggested in 1981 in other words both Ilman and Ulanov introduced
- 37:16 um or expanded the remit of animus to the collective social sphere whereas Ulanov
- 37:24 said that uh there are two types of animus
- 37:30 positive and natural as distinct from negative and acquired implying that
- 37:36 women have a negative acquired animus whereas men have a positive and natural animus um it's a a an indirect criticism of feminism of course while Hillman said
- 37:49 that anima is actually should be the organizing principle because through anima we're going to be liberated and
- 37:56 become creative and imaginative the anima can be considered as a general form an archetype or also as a particular embodiment of the archetype in a specific individual a kind of
- 38:08 personal complex so back to archetypes the archetype is a
- 38:14 psychological motivational pattern it is inherent in the human human nature of all people as Jung put it it's a typical basic form of certain ever recurring
- 38:27 psychic experiences it's a uni it's it has a universal aspect it's a universal
- 38:33 and it has features which are also universal and Jungu referred to or related to
- 38:39 myths mythology where mythology he said distills cultural expressions of
- 38:45 archetypal motives but for any archetype each individual has his or her particular version it is not true that my
- 38:57 archetypes are the same as your archetypes every individual modifies the archetype somehow amends
- 39:05 it adapts it to conform to the personality of the individual so it's a
- 39:11 complex that varies from one person to the next depending on life experiences
- 39:17 constitutional psychological factors and so on and this complex the animus
- 39:24 archetypes by definition they are kind of complexes this complex is uh stable
- 39:30 because it's attitudinal emotional motivational it forms a pattern within
- 39:36 the overall personality and across the lifespan so let's translate this into
- 39:43 daily life in any relationship with a woman a man will tend to project
- 39:49 elements of the anima complex and he will project it as a kind of image
- 39:56 in a way he will re to retouch the woman like as if photoshop photoshop the woman
- 40:03 it's very very close to idealization it's it's hair thin
- 40:10 um boundary between them the difference between this and idealization is that
- 40:17 when the narcissist projects elements of hisma complex he idealizes the woman he
- 40:24 converts her into a perfect being a godlike entity with with perfect
- 40:31 elements and so on whereas when a healthy person projects the animal complex it is not split it is not all
- 40:38 good or all bad it's not idealized or devalued it's very realistic the anima
- 40:44 picture the anima complex in a healthy person includes both negative and positive aspects of femininity it's a
- 40:52 gray zone not black and white and then this animal complex is projected onto
- 40:58 the woman and from that moment on the man perceives the woman through a filter
- 41:04 it's like a lens that reveals only those aspects of the real woman that conform to the unconscious prototype of his in other words the anima distorts the true
- 41:16 picture the true information about the intimate the female intimate partner it
- 41:23 renders her a clone a close replica of the anima complex within the men of course the opposite applies to a
- 41:34 woman when a woman bonds or falls in love with a man or wishes to form an intimate or romantic relationship with a man she projects onto the man her animus
- 41:45 complex and from that moment on she sees the man as an extension of or outside
- 41:51 reflection of her animus complex so when we fall in love with other
- 41:57 people we actually fall in love with archetypes within our unconscious and
- 42:05 these archetypes have been formed by our parents the mother forms the anima the
- 42:11 father forms the animus there's a subtle skewing of attitudes and responses to
- 42:18 the intimate partner based not on how he or she are actually are or even not on
- 42:25 how he or she present themselves but on the anima image that is projected onto
- 42:31 them or the animous image that is projected onto them these images these submerged archetypes partly conscious partly unconscious affect the
- 42:43 interpretation of how we perceive the presentation of the other when we come
- 42:50 across a potential intimate partner she presents herself but then immediately she's distorted by the male the men's
- 42:58 anima similarly the woman distorts potentially male partner by using the
- 43:05 animus image so you see the close
- 43:11 proximity between this and the mechanisms of snapshotting and
- 43:17 introjection in the narcissistic shared fantasy what the narcissist does it projects
- 43:24 onto the intimate partner a diseased imperfect and incomplete
- 43:31 animal the narcissist mother is a dead mother dead mother she has been
- 43:37 emotionally absent neglectful doineering overprotective parentifying instrumentalizing abusive traumatizing and so on a bad mother not good enough
- 43:48 mother and this mother creates in the child a deformed defective
- 43:56 deficient dysfunctional sick animal when the child grows up and
- 44:03 becomes a narcissist the child the this adult
- 44:09 projects this diseased animal onto a potential intimate partner
- 44:16 and expects her to conform to this sickness to this projected
- 44:23 sickness you could put it in simple terms the narcissist as a child had a bad mother and a bad role model for what it is to be
- 44:36 female the first female the child comes across is the mother if the mother is the wrong sort of mother if the mother
- 44:43 is a bad mother then the child will develop an image of femininity which is wrong which is sick which is bad which is dysfunctional the anim would be inoperative would be all
- 44:56 wrong and when this child grows up and teams up some let's assume it's a man teams up with a woman and wants to form an intimate romantic relationship the child the this kind of man would project
- 45:08 onto her the wrong anima the defective anima that had been created in his early
- 45:16 childhood and this anima will distort the perception of the intimate
- 45:22 partner and this is exactly the mechanism that is in operation in the
- 45:28 shared fantasy so relating to a real woman requires the man to try to relate
- 45:36 to disown to the disowned part of himself which is his female side his
- 45:42 femininity this and this generates very positive dynamics because it drives the man
- 45:50 towards a higher level of integration within his conflicted self-experience every man has an animma part the anima part is the woman it's
- 46:01 feminine the man disavows this part rejects this part denies this part but
- 46:09 when the man comes across a woman falls in love with her he projects onto her
- 46:15 this rejected part and because he loves her he learns to love it to love this
- 46:21 part as well he learns to love his anima as well and by loving it he integrates
- 46:28 it with the rest of his personality and he becomes an allrounded figure partly
- 46:34 masculine partly feminine the gender role is the same he's a man and he acts
- 46:40 as a man and thinks as a man and everything but he allows himself to experience his feminine side he wants to
- 46:47 cry he cries he wants to um he wants to act maternally with his newborn baby he
- 46:54 does he's not ashamed he's not afraid he doesn't reject this side of him
- 47:01 fataroli in 2002 wrote a book titled healing the soul in the age of the brain becoming conscious in an unconscious world was published by Viking in New York and he wrote when the projection of the
- 47:17 subsequent battle with the anima bearer happen in a patient's relationship with his
- 47:23 psychoanalyst as sooner or later they always do this constitutes the
- 47:29 transference I'm going to read it again because it's a profound insight when the projection of the anima
- 47:37 and the subsequent battle with the bearer of the animal happen in the patient's relationship with the psychoanalyst this is what we call
- 47:49 transference transference says fatoli is usually understood as the tendency to react to another person as if he or she were an
- 48:00 emotionally important figure from childhood the idea being that feelings about a person from the past memory of which is being resisted are transferred onto a person in the present in addition and more significantly transference is
- 48:16 the tendency to react to another person as if he or she were an emotionally important but unconscious part of oneself here we recognize in the other person um something that we cannot tolerate recognizing in ourselves so that our
- 48:33 feelings about something internal are transferred onto someone or something external the philosopher Kigo identified this latter dimension of transference without
- 48:45 calling it that as an inverted image of the internal in which in which what is
- 48:51 threatening to emerge into awareness from inside is experienced as something pressing in from the outside well said as you see anima
- 49:03 anonymous are critical functions they're archetypes they're buried in the unconscious but they're critical
- 49:09 functions in all interpersonal relationships and they're the bridge
- 49:16 between some very important parts of the unconscious and consciousness in this sense I think Yung put his finger on on some important issues i completely
- 49:28 differ with his structural model with his dynamics with his thinking i'm not a
- 49:35 young but I think this is a profound insight
- 49:41 and is easily applicable and allows us to gain insight
- 49:47 into the narcissistic condition i think it provides us with added penetration
- 49:53 and and aha moments when it comes to the narcissist some unconscious structures
- 49:59 in narcissism are distorted beyond redemption and these are the ones that that connect
- 50:08 the narcissist to other people and so inevitably these submerged unconscious sick archetypal
- 50:19 structures infect the totality of the interpersonal interaction and render it
- 50:25 as distorted and thwarted as the narcissist in a world